Happy Book Birthday KINDNESS IS A KITE STRING + 5 Qs for poet~author Michelle Schaub!

Time to celebrate!

Michelle Schaub’s latest book, KINDNESS IS A KITE STRING: The Uplifting Power of Empathy, releases April 1st, Illustrated by Claire LaForte (Cardinal Rule Press ) AND today is her actual BIRTHDAY!

We have some questions for her.

But first, let’s check out her book:

How can YOU lift others with kindness?

KINDNESS IS A KITE STRING is full of metaphors and similes (Great #writing mentor text, teachers!) as well as ways to spread kindness and brighten the lives of others. 

The best book for positively teaching kindness.

Q 1. I love the use of metaphors and similes in this book, Michelle. If KINDNESS IS A KITE STRING, what might your #kidlit journey be like?

Michelle Schaub: My kidlit journey would be a squiggly, wiggly line with lots of twists, turns, and tangles as it charts its course. I use this metaphor when I talk about effort, persistence, and success during school visits and pair it with this image:

To elaborate on my squiggly-line metaphor: I first set the goal to be a children’s author over twenty-five years ago. But I was teaching full time, which made it challenging to find time to write. Then I had three children, which made it even harder to find time to write. During those years, I focused on reading as many picture books as I could and studying my craft. I wrote and submitted picture book stories here and there, but they were all rejected. Then I started writing nonfiction articles for magazines and realized I had a flair for making facts kid friendly. (The teacher in me.) I published some articles in Highlights, Appleseeds, and other kids’ magazines. Then I took a class with children’s poet Heidi Roemer and discovered my love for poetry. I sold some poems to Ladybug and Highlights’ High Five and started sending poems to children’s anthologies. Some were rejected, but others made it into actual books! This gave me the confidence to start writing my own poetry picture books.  After twenty-five years of rejection, redirection, and persistence, I sold my first book, FRESH PICKED POETRY: A DAY AT THE FARMERS’ MARKET to Charlesbridge in 2014.



Michelle Schaub: So back to the line metaphor. Some people have that misconception that setting a goal and working hard creates a smooth path to success. But particularly when it comes to children’s book writing, setback and rejections are inevitable. You have to wrangle with snags and persist on your path to publication.

Q 2. What was the inspiration for KINDNESS IS A KITE STRING?

Michelle Schaub: A commercial for life insurance. No, seriously. I was watching television one day and this Liberty Mutual advertisement came on that totally teared me up. It’s set in a city and starts with one lady stopping a man from crossing a busy street in front of a car. That man goes on to help a mom carry her stroller off the bus. The mom goes on to help someone else, and the kind acts continue to have a ripple effect until they circle back to the first lady. I was intrigued by this pay-it-forward, kindness chain and decided to try and capture that spirit in a children’s book.

KINDNESS IS A KITE STRING by Michelle Schaub / Interior Illustration by Claire LaForte (Cardinal Rule Press )

Q 3. What do you hope young readers will take away?

Michelle Schaub: KINDNESS IS A KITE STRING describes kindness through experiences children will find familiar, using similes and metaphors. The story guides the reader through a journey of the power of empathy and explains how kindness spreads happiness like sunshine; ultimately connecting diverse groups of people and the community at large. During this challenging year, I wanted to share how the simplest act of kindness can change lives and connect others, no matter how different you may feel. My hope is to inspire children to lift others with kindness. It’s something we can control right now that can make a huge difference in our daily lives and the lives of others.  Cardinal Rule Press designed an amazing Readers’ Guide to accompany the book that includes great ideas and downloadable resources, like a kindness journal, to give kids more tools for spreading kindness.

KINDNESS IS A KITE STRING by Michelle Schaub / Interior Illustration by Claire LaForte (Cardinal Rule Press )

Important: Save the date! Michelle’s official launch of KINDNESS IS A KITE STRING will be a Virtual Story-time at Anderson’s Bookshop on April 1st. (No Joke.)

Details here.

Q 4. I read that Marilyn Singer is one of your poetry heroes. Any other writing mentors?

Michelle Schaub: There are so many children’s poets I admire. At the top of my long list of writers who are doing some creative, inspiring things through children’s poetry are Irene Latham and Charles Waters (who often work as a team,) Nikki Grimes, Laura Purdie Salas, and Liz Steinglass. I encourage everyone to check out their work.

Q 5. Tell us about Poetry Boost–and the poems you’ve collected for Poetry Month.

Michelle Schaub: Poetry Boost is my blog where I share poetry lessons, graphic organizers, and mentor texts. From my own experience as a teacher, I believe strongly in the power of poetry to boost content knowledge, vocabulary, literacy, and social-emotional learning. There are so many amazing poetry picture books out there on a vast array of topics. It’s really an underappreciated genre. I created Poetry Boost to give parents and teachers fun and easy tools for sharing poetry, while also expanding the audience for poetry picture books.


On POETRY BOOST during the month of April, I’m hosting POEM SHARE FOR POETRY MONTH. I’ve invited children’s poets from around the country to share videos of themselves reading their poems. Each day, I’ll post a new video.  From a pantoum about goblin sharks to a two-voice poem about avoiding a book report (written by YOU, Erin Dealey,) I’ve got a delightful round up of poems. I invite everyone to head over to http://www.poetryboost.com/ throughout April for a daily dose of poetry.

Michelle Schaub is an award-winning children’s author and teacher. DREAM BIG LITTLE SCIENTISTS, a rhyming bedtime book with a clever #STEM twist, reminds us that oceans, mountains and forests sleep too, and while daytime wildlife settles down, others awake. 

She is also the author of Finding Treasure: A Collection of Collections and her poems have appeared in And the Crowd Goes WildA Global Gathering of Sports Poems, and The Poetry Anthology for Celebrations.

Huge thanks for joining us on the blog today, Michelle–

and Happy almost Book Birthday!

To learn more about Michelle, check out MichelleSchaub.com & follow her on

Twitter @Schaubwites ~ Instagram schaubwrites ~ Facebook Michelle Schaub.

PS EVERYONE go and wish her a Happy Birthday! (3.26.21)

6 Qs with Julie Abery + Writing (and pitching) a Board Book series = Happy Book Birthday x 2

Happy Book Birthday

to TWO new Little Animal Friends board books with Amicus Ink / March 2021 / Illus. Suzie Mason by Julie Abery:

LITTLE PENGUIN by Julie Abery, Illus. Suzie Mason, Amicus Ink, 2021.


Review: Delightfully heartwarming. LITTLE PENGUIN is the latest addition to the lovely board book series, Little Animals. The story journeys with Little Penguin as he explores the frosty world around him with his mama always close at hand. Abery’s lovely lyrical text along with Mason’s adorable and engaging illustrations introduce little ones to a penguin’s world with warmth and kindness. LITTLE PENGUIN is a perfect read-aloud for young ones everywhere!

author E. G. Bedia

LITTLE ZEBRA by Julie Abery, Illus. Suzie Mason, Amicus Ink, 2021.


Review: LITTLE ZEBRA continues Julie Abery’s adorable Little Animal Friends board book series. Written in rhyme to engage young listeners, LITTLE ZEBRA transports us to Africa, where we follow the littlest one in the dazzle through her day. Starting off unsteady on her feet, she dances and prances, kicks and flicks, flops and slops. It’s a lively story, delightfully illustrated, that is sure to charm!

author Sandra Nickel 

I met Julie Abery through our #2020BookLook group and interviewed her about her picture book, THE OLD MAN AND THE PENGUIN (which I love!). I’m thrilled to help her celebrate these two adorable new 2021 titles.

Welcome Julie!

We have six questions for you today:

Julie Abery: Hello Erin–Thank you so much for welcoming me back to your blog!

Q 1. How does writing for a series differ from writing a stand-alone children’s book?

Julie Abery: The Little Animal Friends series has an established format, so I have a specific story arc and layout to work to, but it has all the elements you would expect in a story:

problem, conflict, and resolution, just in very few words! The rhyming also has a structure that doesn’t change, but I try to ensure that I use as many unique action verbs for each animal, while also being true to their nature.

LITTLE TIGER by Julie Abery, Illus. Suzie Mason, Amicus Ink, 2019.

Q 2. Did you pitch these board books as a series, or did they grow into one?

Julie Abery: The Little Animal Friends series started life as one picture book text – Little Tiger. It was the first story that my agent submitted to editors, and although it received lots of lovely comments, but most said that they didn’t think there was quite enough to the story for a picture book. Little Tiger only has 78 words. Then one editor mentioned that she thought this format would make a great structure for a board book series, and asked if I was working on any other animals. I had been making notes on pandas who are playful and terribly cute, so I set to work to create book two! She loved them both and although in the end the company she was working for passed, they shared the manuscripts with their sister company, Amicus Ink, and the Little Animal Friends board book series was born.

Interior LITTLE PENGUIN by Julie Abery, Illus. Suzie Mason, Amicus Ink, 2021.

Q 3. Does your former career as an early years’ teacher influence your writing?

Julie Abery: It does! Having taught preschool for many years, my experience has been that nearly all children love rhyming books! I love the three Rs – rhyme, rhythm, and repetition, and that was my focus for these titles. Rhyming words are predictive and allow children to guess what is coming next, rhythm gives a song-like quality which they quickly remember, and repetition allows everyone to participate on every page turn.

Interior LITTLE ZEBRA by Julie Abery, Illus. Suzie Mason, Amicus Ink, 2021.

Q 4. As a rhymer myself, I appreciate your excellent rhyme, rhythm, and word choice. Where did your hone your rhyming skills?

ED note: I tend to credit all the song lyrics I memorized as a teen, the bad puns my friends and I made up on the way home from school, and all those scansion/ Shakespeare courses in college.

Julie Abery: Thank you so much Erin, that means a lot!

Growing up I always loved poetry, drama, and singing at school. The first poem I ever recited was Macavity The Mystery Cat from Old Possum’s Book of Practical Cats by T.S. Elliot (1939) when I was 11 years old! It grew from there really. My mom wrote poems about the world around her too, and as I mentioned above, I loved reading rhyming picture books both to my own children and in my classroom.

Q 5. What projects are you

currently working on?

Julie Abery: A magical winter destination, an adventure on the sea, and a book about some of our favorite pets.

SAKAMOTO’S SWIM CLUB, by Julie Abery, Illus. Chris Sasaki, Kids Can Press, May 2021.

Q 6. Are there any more Little Animal Friends books in the works? Any further news about Sakamoto’s Swim Club: How a Teacher Led an Unlikely Team to Victory?

Julie Abery: At the moment I think the Little Animal family is complete, but who knows what the future might bring. 😉

I am delighted that Sakamoto’s Swim Club has been chosen as a Junior Library Guild Gold Selection and has received a starred review:

  “A vibrant, original picture book.” Booklist

I am still waiting for my copies to arrive, so am watching for the postman every day!

It has been lovely chatting to you again, Erin.

Thank YOU, Julie!

To learn more about her books, here’s where you can connect with Julie Abery:

Website: LittleRedStoryShed.wordpress.com  

Twitter  @juliedawnabery

Instagram: @juliedawnabery

Facebook: julieabery

Coming soon: We’ll be sharing a little KINDNESS for Michelle Schaub’s Book Birthday!

TWO #kidlit authors + 6 Questions = Three Book Birthday celebrations…in a #pandemic!

We’ve doubled-the-fun this week with 6 Qs
for TWO #kidlit authors!

Meet Rosie J. Pova,

whose picture book, SUNDAY RAIN (Illus. Amariah Rauscher / Lantana Publishing) was released March 2nd!

A quiet, sweet story blending common themes of moving, imagination, and friendship.


Matt Forrest Esenwine is celebrating two Book Birthdays-

ELLIOT THE HEART SHAPED FROG (board book /Illus. Anna Kubaszewska / Rainstorm Publishing / Jan. 2021)

“Elliot is an adorable protagonist, and the perfect critter to reinforce colors and shapes with young readers as he searches for his perfect heart-shaped home.”

–author/ poet Michelle Schaub

ONCE UPON ANOTHER TIME (wonder and hush of the natural world / poetry / coauthor  CharlesGhigna/ Illus. Andrés F. Landazábal / Beaming Books / March 2nd)

in Children’s Exploration Fiction 

I paired these two because their books have things in common (see below) AND… both #kidlit authors celebrated a March 2nd Book Birthday!

Q 1. What are the challenges in launching a book (or two!) during a pandemic?

Matt Forrest Esenwine: There are quite a few – not the least of which is the fact that authors can’t visit any stores, schools, or libraries in person! True, we have plenty of online/virtual options, but students are so maxed out on screens these days due to remote-schooling (most are going over the recommended 2-hour limit for elementary-aged children), that it’s hard for adults to justify adding to their kids’ screen time. So that means an author has to work harder with online marketing – blog tours, social media, etc.

  • Any tips for those with Book Birthdays coming up?

Matt Forrest Esenwine: Be prepared! Know that it’s not going to be easy, and start planning your marketing efforts/promotions now, connecting with bloggers and reviewers, and knowing your virtual visits may very well be more limited than you think. (Working with a local bookstore to offer personally-signed copies is a great way to connect with people and offer something that consumers can’t get from Amazon or a box store.)

Q 2. Both of you have main characters named Elliott / Elliot. Since a tiny bit of each book is autobiographical, how is your Elliott / Elliot like you? How is he different?

Rosie J. Pova: My Elliott is spelled with two t’s so that’s the difference, but the way my character is like me is that he’s an introvert who loves to read, he daydreams and lives in fictional worlds with the characters he reads about. He’s also shy and has big imagination!

Interior art of SUNDAY RAIN (Illus. Amariah Rauscher / Lantana Publishing)

Matt Forrest Esenwine: Interesting question! I think Elliot and I are likely both Cancers. Although I’m not a big astrology kind of guy, I’m a poster boy for Cancers: very home-centered, domestic, sensitive, creative, loving. And I think Elliot, in his search for a new home, displays some of those qualities. However, if he was me, he probably would’ve brought at least half of what he’d found during his search over to his new home, ha!

Interior art–ELLIOT THE HEART SHAPED FROG (Illus. Anna Kubaszewska/Rainstorm Publishing)

Q 3. Both ONCE UPON ANOTHER TIME and SUNDAY RAIN invite readers to enjoy the wonders of the outside world. Were you an “outdoorsy” kid or an “indoors” kid?

Rosie J. Pova: When I was little, I played outside a lot, but I would still consider myself an indoors kid as that was my natural inclination. I am definitely an indoors adult, too!

Interior art–ONCE UPON ANOTHER TIME (coauthor  CharlesGhigna/ Illus. Andrés F. Landazábal / Beaming Books)

Matt Forrest Esenwine: Yes, very “outdoorsy!” I grew up in the woods – the road my childhood home is on is still dirt – so most of my playtime involved trees or animals. My folks were also big into hunting and fishing, so taking hikes and enjoying Nature were part of everyday life.

Q. 4 What surprises did the illustrator bring to the project?

Rosie J. Pova: One of the surprises was that my character had a pet in the art — a grey cat. The other was that he was carrying around a toy boat.

Interior art of SUNDAY RAIN (Illus. Amariah Rauscher / Lantana Publishing)

Q 5. What new projects are you working on now?

Rosie J. Pova: I have another book in the pipeline, The School of Failure: A Story about Success, that will release from Yeehoo Press in spring of 2022 and I’m eager to see the illustrations and cover for that one! My agent and I are also on submission with a few other manuscripts and I can’t wait for those to finds their wonderful homes.

Meanwhile, I keep busy teaching my online picture book writing classes, serve as a judge for Rate Your Story, and have my own picture book critique clients to help. In addition, I am deep in marketing and promotion mode so I’m actually quite busy which is a good distraction from refreshing my email a million times or waiting for updates from my agent…

Stay tuned!

Matt Forrest Esenwine: I feel fortunate that I sold a couple of manuscripts last year, so those are two projects that are at the forefront of my mind right now. One is a poetry project I can’t really talk about yet (it’s killing me to keep quiet!), and the other is an upcoming picture book due this fall, I AM TODAY, which is being published by my Don’t Ask a Dinosaur publisher, POW! Kids Books. I also have a poetry collaboration with David Harrison that we’re currently subbing, and a possible second collaboration with Charles Ghigna we’re talking about – so stayed tuned!

Q 6. How can readers support authors publishing in a pandemic?

Matt Forrest Esenwine: With our lives and economy in upheaval, it’s no surprise that spending has been down, and new book sales have taken a big hit…so if you can’t afford to buy an author’s book, leave a review of one of their books that you HAVE read!

Leave a review!

Amazon and Goodreads, in particular, are both popular places that potential buyers check out before purchasing, so even though you may not be able to buy a book from a favorite author, you can encourage others to buy from that author – and from an author’s point of view, that’s just as awesome!

Huge thanks and congrats to both Rosie and Matt for joining us today. 

To learn more about their work,

check out their websites:



And follow them on Twitter: 



Next up on the blog:
Julie Abery celebrates TWO “little” Book Birthdays!

Happy Book Birthday PLANET OCEAN: Why We All Need A Healthy Ocean + 5 Qs for Patricia Newman

Happy Book Birthday to Patricia Newman’s
PLANET OCEAN: Why We All Need A Healthy Ocean

(Millbrook / Lerner, Annie Crawley / Photographer)

#1 New Release in Children’s Australia & Oceania History

Have I mentioned I love this book?

Full disclosure: Patti is a dear friend and critique partner, and we were SCBWI Co-RA’s together a lonnnng time ago–but I would be singing the praises of PLANET OCEAN even if we’d never met.

Still–don’t take my word for it: 

‘We all have a story to tell’ photographer Crawley says. In her daily life, she teaches land-dwellers to dive in the ocean, encouraging them to appreciate it and to share its beauty―and its problems. Newman’s words and Crawley’s pictures do just that for young readers here, with a clear narrative that combines science, images, and the voices of young divers and Indigenous peoples to get across their point…Worth exploring in depth.

Kirkus Reviews

Click above image to view trailer.

In celebration of this much-needed book, here are:
5 Questions for Patricia Newman

Q 1. How did you find/choose the many amazing child and teen activists you interview in PLANET OCEAN?

Patricia Newman: Annie and I had a great time researching Planet Ocean and developing new friendships. Elise, Kalil, Nico, and Abbey are members of Annie’s Dive Team (who I met when I traveled to Seattle for research). Our Iñupiat Arctic expert introduced us to Eben Hopson. Annie knew Helen Pananggung and the children from many trips to Indonesia. We’d been following Juliana v US in the news and Annie was fortunate enough to meet with one of the lawyers, who introduced us to Aji.

We chose these kids/teens based on their unique voices, their reliance on the ocean, and the variety of approaches they use to speak up for the ocean

Q 2. My favorite quote from the interviews–and there are many–is, “I’m not fighting climate change. I’m fighting for human change.” (17-year-old activist Aji Piper). What is one of yours?

Patricia Newman: I really like this question because interviews are a huge part of my books. And I love using quotes because they convey so much emotion. It’s impossible to choose only one, so here is a sampling of my favorites:

On page 21, scientist Derya Akkaynak says, “A colleague and I showed light moves through the ocean differently and we derived new math.” Just think about that. New math. I get goosebumps thinking about these scientists who are inventing new technologies to help us understand our ocean.

On page 28, scientist Iris Kemp says, “I read—a lot. And I read biographies of scientists—a lot.” Proof that nonfiction children’s books matter!

On page 29-30, Lummi Nation elder and fisherman Dana Wilson says, “If we can’t go out and catch fish, it affects our way of life, our health, our spirituality. Without them, we lose everything.” Dana’s emotional words put the climate crisis in stark relief.

On page 37, Iñupiat teen Eben Hopson says, “Seeing how climate change affects my people scares me. What will the ice be like for future spring whale hunts?” As temperatures climb in the Arctic, the entire Iñupiat way of life will change. How can that not be scary?

And on page 49, Elizabeth Zajaczkowski says, “For years other people have represented me, but now that I’m eighteen I’m talking to you as a registered voter.” I love that Elizabeth is holding elected officials to task. There’s power in her words!

QR codes sprinkled throughout the book give readers a “below-the-surface” perspective.

Q 3. Creating such an important nonfiction book like this takes a tremendous team. What does it mean to you to have teamed up again with oceanographer Annie Crawley and editor Carol Hinz? Besides the interviewees and contributors, who else is on your team?

Patricia Newman: You’re absolutely right, Erin, and my Planet Ocean team was the best in the business. Annie is not only a diver, photographer, and filmmaker, she’s also an ocean expert. We worked closely developing the text, the photo captions, and the back matter.

Carol Hinz is now the Associate Publisher of the Millbrook Press and Carolrhoda imprints at Lerner Publishing. Planet Ocean is our sixth book together, and I can hear her voice in my head as I write—what’s important, what concepts need unpacking, and what needs to be left on the cutting room floor so to speak.

But bookmaking requires more than just the three of us.

My agent, Deborah Warren, believed in this project from the start and sold it to Carol.

My critique group read early drafts that were…well, terrible.

Lerner’s terrific art team, Danielle Carnito, Emily Harris, and Erica Johnson, created a layout that allowed for big photos. They worked with us when we swapped one image for another and guided us through image resolution requirements. These women were also responsible for the graphics and maps in the book.

Planet Ocean’s QR codes required another level of expertise. While I wrote scripts, Annie assembled video clips and narrated each video. Kate Campbell created the landing pages readers see when they scan the QR codes with their devices.

And then there’s Lerner’s publicity engine, Lindsay Matvick and Rachel Zugschwert, who asked Annie and me to create a special video that answered the question, why does your library need Planet Ocean<– (Clink link to view.)

I’m sure there are other people behind the scenes that I’ve never met, like the copy editor, whose name I don’t know. But I depend on her to keep me from making a fool of myself with incorrect facts.

Patricia Newman (L) and Annie Crawley (R) really took their “below-the-surface” perspective seriously when creating Planet Ocean! 

Q 4. How is learning to scuba dive like writing nonfiction? How is it different?

Patricia Newman: What a great exercise. Here goes!

Four ways scuba diving is like writing nonfiction:
  • We need special equipment. Divers need tools such as wet suits, air tanks, hoses, flashlights, and masks. Nonfiction writers need primary sources, recorders, cameras, computers, and ideas.
  • We immerse ourselves. While divers swim underwater, nonfiction writers dive into our topics to find the most startling details and creative formats that keep readers turning pages.
  • We need to remain calm under pressure. Annie warns her students not to panic and become bubble-blowing monsters that use up their air. Divers must take slow steady breaths. Nonfiction writers have deadlines that require a cool, steady head. Frequently my editor also asks me to source a quote I’d skipped, which means plowing back through thousands of pages and websites to find it. If it weren’t for meticulous organization, I wouldn’t be able to use the many quotes I rely on, which would definitely turn me into a bubble-blowing air hog!
  • We see new worlds. Scuba allows underwater exploration. Swimming under turtles, diving under Arctic ice, winding through kelp forests. As a nonfiction writer, I meet new people studying amazing aspects of our world. People I never would have met otherwise.
And one way diving and nonfiction writing are different:
  • Divers must breathe pressurized air to equalize the pressure the ocean exerts on their bodies. Normally, the air we breathe isn’t pressurized, so divers have to resurface slowly to minimize nitrogen and helium bubbles (think of a bottle of soda, just opened). A diver who resurfaces too quickly can experience pain, called the bends. But as a nonfiction author, I can “resurface” from a hard day at my computer banging out a rough draft as quickly as I like!

Newman says, “Annie and I want readers to care about our ocean, because we protect what we love.”

Q 5. I love your message that, “Global change starts with stories from our hearts shared again and again.” If young Patti could share a heart story of the ocean, what might it be?

Patricia Newman: Wow, I have so many memories of the ocean and water in general. Digging for quahogs at low tide with my aunt on a Rhode Island beach. Making a huge whale sculpture out of sand with my dad. I remember loads of kids joined us, too! Crabbing off the Jersey shore. The taste of salt on my lips. Feeling the pull of the tide as it retreats out to sea. Sailing with my dad.

These memories formed my earliest impressions of the ocean – a mixture of food, fun, awe, and power. And as I write, I can still feel the feel the sand between my toes.

Patricia Newman‘s books inspire young readers to seek connections to the real world. Her titles encourage readers to use their imaginations to solve real world problems and act on behalf of their communities. These books include Sibert Honor title Sea Otter Heroes: The Predators That Saved an Ecosystem; Junior Library Guild Selection Eavesdropping on Elephants; Bank Street College Best Book Zoo Scientists to the RescueBooklist Editor’s Choice Ebola: Fears and Facts; and Green Earth Book Award winner Plastic, Ahoy! Investigating the Great Pacific Garbage Patch. Patricia frequently speaks at schools and conferences to share how children of any age can affect change.

To learn more visit Patti at www.patriciamnewman.com

and follow her on Twitter: @PatriciaNewman

 Next up on the blog:

Double March Book Birthdays with Rosie Pova and Matt Forrest Esenwine.


Happy Book Birthday to AN EQUAL SHOT = 4 Qs + 3 tips for #kidlit Illustrators just starting out–> from the amazing Dow Phumiruk.

Happy Book Birthday to

An Equal Shot: How the Law Title IX Changed America

Written by Helaine Becker,  AN EQUAL SHOT (Henry Holt) is a nonfiction picture book introduction to the history and importance of Title IX as civil rights legislature, featuring illustrations by Dow Phumiruk*.


Dow rhymes with “wow!” : )

Phumiruk has a sneaky silent h: Poo’ mee ruck.

Interior art by Dow Phumiruk, from AN EQUAL SHOT, written by Helaine Becker (Henry Holt).

“…Title IX is about more than just giving girls and women the ability to play sports. . .Both an easy-to-read introduction and a powerful reminder that we must always fight for equality.” ―Kirkus Reviews

The TEAM: Dow’s agent Deborah Warren, Christy Ottaviano (editor), Dow, Helaine Becker, and her agent Susan Schulman.

Dow Phumiruk is the award-winning illustrator of COUNTING ON KATHERINE: How Katherine Johnson Saved Apollo13, which won the Bank Street Cook Prize and was named an NSTA Outstanding Science Trade Book as well as an NCTM Mathical Honor Book, among many other honors; AN EQUAL SHOT: How the Law Title IX Changed America; MAYA LIN: Artist-Architect of Light and Lines, which was an Amazon Best Book of the Year and an NCSS Notable Social Studies Trade Book for Young People; and  ONE GIRL–among others! She is also the author / illustrator of MELA AND THE  ELEPHANT, and HUGSBY, which released in 2020. Dow, who is ALSO a general pediatrician (The “WOW” fits, doesn’t it?), lives in Colorado with her family.

We have Questions for you, Dow Phumiruk!

Q 1. Congratulations on your ever-growing successful #kidlit career! Did young Dow envision any of this as a child? I see you wrote and illustrated your first book, THE PINK AND YELLOW SUNHAT, at age 9. How and when did you realize your creativity could be something more?

Above photo of Dow was featured in an earlier blog post here. 

Dow Phumiruk: Wow, never in a million years would young me have predicted that I would become an author and illustrator of children’s books! It was not on my radar growing up. I loved art as a girl, and my fourth grade book project you mention was something I was very proud of. But I did not ever think to pursue this as a career in adulthood. It took having children and staying home with them (drawing, coloring, and crafting together) to reconnect with my artistic side. My children inspired me! Eventually I joined SCBWI, and that’s where I learned all about the ropes of the industry.

Q 2. What was the biggest challenge you encountered while creating the illustrations for AN EQUAL SHOT? 

Dow Phumiruk: The biggest challenge was figuring out what to draw! The text talks about Title IX, but there are little clues about setting and characters for me to run with and draw – unlike COUNTING ON KATHERINE, with images of Katherine and a progression of her life story being pretty obvious subject matter. Helaine Becker and I were together for that project, with Christy Ottaviano at the helm as editor, as well as for this book. (See Team photo above.)

Interior art by Dow Phumiruk, from AN EQUAL SHOT, written by Helaine Becker (Henry Holt).

How would I draw about a law?

I had to think on how our book would look for a long while! It’s a good example of how authors and illustrators each contribute to making a picture book its best. I think this book will get kids thinking about how they can champion equal rights like Patsy Mink, Shirley Chisholm, Bernice Sandler, and Edith Green did.

Interior art by Dow Phumiruk, from AN EQUAL SHOT, written by Helaine Becker (Henry Holt).

Also for this book, I drew so many people, and that was an ambitious task that was both challenging and exciting. It is fun to imagine being a fly on the wall in congress, for example, or listening to Abraham Lincoln delivering the Gettysburg Address. There was much research to do to portray these scenes as accurately as possible.

Interior art by Dow Phumiruk, from AN EQUAL SHOT, written by Helaine Becker (Henry Holt).

Q 3. I read on your blog that you like to set goals. (I’m not surprised!) What are your goals for 2021?

Dow Phumiruk: I am such a list-maker. I love to make them, and goal setting is just another list! This year, I hope to write two chapter books. I’ve never understood how authors of novels can come up with so many characters, settings, plot twists, and other components that make up a book with thousands of words that people want to read! It’s intriguing, and I hope to figure this out. I’ve learned so much about novel writing at conferences, read many articles and blog posts about writing online, and have friends who live and breathe writing novels who could help critique anything I write. But all this knowledge I am surrounded by can’t be used unless I have written something.

Write those drafts!

Is this your hang-up as a writer? Well, writing something gives you a substrate on which to apply what you’ve learned. That draft can be awful! It’s just a draft. And then you can work to revise it. An art analogy would be if you owned a set of carving tools without any wood or marble or clay to work with and shape! This year, I’ll write those drafts.


Another goal I have is to prioritize a good work-life balance. That is a doozy. I don’t manage to protect enough time to read longer books, and this will be even more important as I try to write a chapter book.

Q 4. Do you have any tips for illustrators just starting out in #kidlit?

Dow Phumiruk:

Tip 1: For artists just starting out, find illustrators who are successful in the industry with a style you admire. Then copy them! Don’t try to sell these drawings or anything. Just copy for practice. It’s a way to teach yourself to draw in a marketable style. You may end up merging your style with theirs and come up with your own unique new and improved style.

Tip 2: Also, really study art that you like. What is it that appeals to you?

  • Is it the palette: is it more limited than what you use?
  • Is it the lighting: have you learned how to best manage contrast and saturation in your work?
  • Is it the composition: have you learned to design a nice background and foreground with your characters well-positioned?
  • Have you used all of these tools to help lead your viewer’s eye to where the action is?
  • And lastly, is it the anatomy?

These all form the foundation for a successful illustration, and you can take time to dig deeply into each to improve your work.

Tip 3: Make sure you can draw stories. This means that your art needs to be more than just nice scenery. In your portfolio, you should demonstrate that you can show characters (people or animals) who are doing something that could be part of a story. The narrative quality of art is integral to children’s book illustration.

Happy Book Birthday to AN EQUAL SHOT! 

Thank you so much for sharing such helpful insights, Dow. 

I look forward to your next project, HELLO TREE, written by Ana Crespo (Little Brown) which releases this September. 

To learn more about Dow and her work, see ArtByDow

and follow her on social media:

Twitter @DowPhumiruk 

Instagram: dowphumiruk

Up next on the blog: Patricia Newman talks about her new nonfiction MG,

PLANET OCEAN–Why We All Need a Healthy Ocean.